Messums Wiltshire is delighted to announce two talks which will complement our A Wessex Scene exhibition, showing in the Long Gallery from the 2nd until the 31st of December.

For time immemorial a plethora of artists have sat in front of and drawn the landscape of Wessex — an Anglo-Saxon kingdom in Great Britain whose borders stretched the entirety of the south of England. In the 19th century, Thomas Hardy resurrected the ancient name of ‘Wessex’, leading to a revival of its popular modern use. In an 1895 preface to the novel Far From the Madding Crowd, he summed up Wessex as ‘a merely realistic dream country’, capturing the wild and fantastic nature of this archaic place, mostly unchanged in spite of the passage of time.

Messums’ A Wessex Scene hopes to recapture the magic of Hardy’s wonderful description by presenting a remarkable collection of paintings, drawings and etchings which illustrate the rich history of the ancient south-western region: sites such as Salisbury Cathedral, Stonehenge and Durdle Door, scenes which have been painted by renowned artists Turner and Constable and now rest in national collections. A Wessex Landscape follows in the footsteps of Judy Pfaff’s ‘Roots Up’, 140 foot sculpture exhibition — again inspired by this area’s remarkable natural and artistic heritage.

David Inshaw Saturday 2 December 11.00am Free Admission

David Inshaw is one of the exhibiting artists in A Wessex Scene and is most famous for the painting ‘The Badminton Game’, (1973) now in the Tate collection. David now lives and works in Devizes and fell in love with the Wessex landscape by reading Thomas Hardy. ‘The way that Hardy used landscapes as a metaphor for human emotion struck a deep chord’, he has commented in conversation with Rachel Campbell-Johnston, echoing our own curatorial rational behind ‘A Wessex Scene’. David will be interviewed by our curator Catherine Milner about his relationship with the surrounding countryside and this inspiration for his revered paintings. This talk, opening the entire show, will provide a rare chance to listen to this artist, amazingly situated within the very views he has painted. David will be showing two paintings: ‘Cloud Study, Rainbow’ and ‘Banished’ — two very disparate takes drawing from the inspiration that the Wiltshire landscape provides.

Norman Ackroyd CBE RA 13 December 6.30-7.30pm £10 Early Bird £15 On the Door

Norman Ackroyd is one of Britain’s foremost etchers, known primarily for his aquatint work which hangs in the Tate and New York’s Museum of Modern Art. Norman is passionate and knowledgeable about the local landscape, having visited and created works of art inspired by the melancholic lakes belonging to Fonthill Abbey, home to one of the greatest collectors of the 17th century; William Beckford. In fact, one of these poignant pieces ‘Bitham Lake’ will be featured in ‘A Wessex Scene’ and will be one of the many artworks contextualised in a seminal career discussed by Ackroyd, again in conversation with our curator Catherine Milner. Norman studied at Leeds College of Art and subsequently at the Royal College of Art in London. Norman was elected a Royal Academician and was made Senior Fellow, Royal College of Art. He now lives and works in London. Join us for an artist’s talk which mustn’t be missed.

Tickets for David Inshaw: [Free] https://www.eventbrite.co.uk/e/artists-talk-a-wessex-scene-with-david-inshaw-tickets-38533334240

Tickets for Norman Ackroyd: [£10 Early Bird £15 On the Door] https://www.eventbrite.co.uk/e/talk-artist-printmaker-norman-ackroyd-cbe-ra-tickets-39653848729

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