Johnathan Messum is the founder pioneer behind Messums Wiltshire, an inspirational and innovative Art Centre that will offer a unique environment for both artists and collectors that celebrates the creative endeavour. He has established relationships with international, national and local artists and collectors who will support the gallery’s activities.
Johnathan’s longer term vision is that Messums Wiltshire will become a cultural institution in the South West of England showcasing modern and contemporary art, design and performance, whilst also providing educational lectures and workshops as part of its exhibitions and events programme throughout the year.
Johnathan initially joined Messums London as a Director in 1999, after studying History of Art at Edinburgh University and working for Christie’s in London. He has worked for the family business for most of his career.
At Messums London, Johnathan has taken the company into new ventures, starting new collections and building relationships with overseas galleries and museums on behalf of Messum’s artists and artist estates. He has been responsible for negotiating the handling of significant artworks on behalf of vendors of British art and is still actively engaged in the evolution of Messums London.
In addition, Johnathan has a much broader interest in continuing to enable modern and contemporary art to flourish in Britain. Johnathan is Chairman of DegreeArt London, the UK leader in contemporary, affordable art online, and is a board member of Browns Hotel London Art Weekend. In 2016 he will set up the Fine Art Exchange a curated online marketplace for buyers and sellers of works of art.
Catherine Milner has worked in the international art world for more than twenty years. Formerly Arts Correspondent of the Sunday Telegraph newspaper, she now regularly contributes articles about art to a number of publications including the Financial Times, the Economist and Apollo Magazine.
Having studied Fine Art at Edinburgh University her first job was working for the Barbican Art Gallery. She has since specialised in contemporary British art and was one of the first to write about the Young British Artist group in the early 1990s. Since then she has focused on contemporary Middle Eastern art and traveled extensively throughout the region. She has also recently started taking small groups of collectors to artists studios, exhibitions, art biennales and art fairs around the world.
Alastair MargadaIe has been heavily involved in running the Fonthill Estate over the last 30 years and has always been fascinated by Place Farm and the history behind the farmhouse, gatehouses and the barn that make it one of the finest surviving groups of monastic grange buildings in the country.
Alastair’s family have owned the Fonthill Estate since the early nineteenth century, which includes Place Farm and the Great Barn. The Fonthill Estate is centered on Fonthill Bishop and consists of farmland, woods and gardens with residential property available to rent and commercial business units to let. The estate is extensive and provides a stunning backdrop with over “nine thousands acres of outstanding beauty in the heart of Wiltshire.”
In recent years the barn has been extensively restored to its former glory, under the careful stewardship of Alastair Morrison, the 3rd Lord Margadale and estate manager Simon Fowler. The Barn has floor space over one third of an acre, it is reputed to be the largest though not the longest barn of its type in England.
Alastair and Johnathan Messum have worked together to bring the building back to life and open it to the public as an arts centre and cultural institution for the South West of England. From the Great Barn at Place Farm being built in the 15th century to surviving the Dissolution of the Monasteries, the arrival of Messums Wiltshire is a thrilling moment in the history of the building.
Alastair has a keen interest in the arts and has collected art since his early 20’s, so the involvement of a major London gallery in the Fonthill estate is especially exciting. He has always been greatly involved in all aspects of rural life which are of particular interest.
Nick is Global Manager Subsidiary Businesses for Christie’s International.
Nick joined Christie’s in October 2013 from Publicis Groupe where he was Worldwide Account Director on UBS working on their global campaigns and sponsorship of Art Basel and the Guggenheim UBS MAP Global Art Initiative.
Prior to this Nick was Chief Operating Officer of Frieze during a period of rapid growth in to new markets, including taking the contemporary art fair to New York, launching Frieze Masters in London and a new magazine Frieze d/e in Germany, Austria and Switzerland.
Earlier in his career Nick held a number of senior positions in brand consultancy and advertising. As CEO of Lambie-Nairn he led the team that created O2 and played a key role in the revitalisation of the Sainsbury’s brand.
He has also run three digital agencies, a direct marketing agency, built and run a European agency network, been a non-executive director of several businesses and worked closely with and advised some of the biggest global brand-owning companies including: P&G, Coca Cola, Unilever, SAB Miller, Nestlé, Barclays, HSBC and the BBC.
Nick obtained a First Class Honours degree in Environmental Biology from Oxford Brookes, before going on to read towards a D. Phil in Animal Behaviour at Balliol College, Oxford.
He is on the Advisory Board for Photo London, the photography art fair held each year at Somerset House and he also co-authored a self-help book for insomniacs called ‘The Sleep Solution’ which was published in Europe, the USA and Australia
Katushka spent an early career in the City of London before becoming one of the first Partners at Whitehead Mann where she led multiple practices and was a key figure in the growth of the firm. Katushka has built a reputation as a top search professional handling C-Suite and Non-Executive appointments across the financial services arena and for a range of businesses in transition.
Katushka advises clients on the composition of their Boards, to ensure that they have the appropriate mix of skills, and experience to drive the business forward, and future proof their success. In total, Katushka has been a top search professional for two decades operating across a range of sectors, public and private businesses, UK and International and has many years of successfully working with clients in the Board room.
Katushka has been a Steering Committee member of Thirty Percent Club since its founding. As she was the only search professional on the Committee, Katushka has worked tirelessly to develop the Voluntary Search Code to encourage the industry to adapt its approach at Board and ExCo level. Katushka continues to be a working practice member now focusing on the pipeline and the public sector diversity issues.
Many of her clients are long standing, as she is seen as a trusted advisor, someone who is considered and creative and will encourage clients to challenge their assumptions. She is constantly looking for emerging trends and implications that will impact her clients’ business.
After many years operating in a truly international environment Katushka has an excellent broader understanding of many parts of the world. In addition, Katushka is a board member at DegreeArt London, the UK leader in contemporary, affordable art online created by the finest emerging artists and St Benet’s Hall, Oxford.
Harry spent all of his working life in the creative industries, predominantly working for multi-national advertising agencies. Since he retired he has been involved in two start-up businesses (a bank and a health and wellness enterprise). He is also involved in a broad range of other businesses as a non-Executive Director, from sectors as diverse as financial services and pizza delivery.
In addition, Harry also works for a number of charities involved in the arts, ballet and contemporary dance. He has been an advisor to Frieze magazine and art fairs and has also been a judge for Arts & Business. He has been a Trustee and a Governor of Sadler’s Wells for over 20 years and is the Chairman of the Russell Maliphant Company (Russell is one of the world’s leading contemporary dance choreographers), a position that he has held for the past nine years.
Harry is particularly interested in the cross-fertilisation of traditional art forms and the role of education in the arts (he is a Trustee of an art school in London). He likes to paint, but not well enough to actually be called a painter.
Charlie has a great love of the aesthetic and has done from an early age. Having left school where the art department was certainly a favourite haunt, Charlie lived in Hamburg for a year working for an art supplier. During this time, he was then offered a job in the City of London so returned home and began a career lasting 6 years in insurance.
As a child, his mother had renovated property and from an early age, Charlie took a very keen interest. Whilst working hard in the city, he bought, renovated and sold property which allowed him to gain further experience and indulge in his creative side. This finally led to him totally changing career to focus on property 15 years ago. Throughout this time Charlie learnt that other than the position and the bones of the property itself, the most important ingredient in creating a lovely home is the art.
Charlie is delighted to be part of Messum’s Wiltshire and the future of this incredible gallery.
Melissa has had a life-long love affair with art and art history. This began at home informally with a collector for a father, and the bond was sealed after spending a year on the John Hall History of Art Course. Aside from raising a family and a Staffordshire Bull Terrier, Melissa (or Mouse as she is usually known!) has worked in various roles in Christie’s and Sotheby’s and maintains a keen interest in Contemporary Art.
A passion for art was kindled by a Tate visit to a Giacometti exhibition in her early teens and the rest as they say is history. Her career began following fledging two sons, when offered a job to help establish and manage a newly built auction room in Cambridge. Having no formal training she got a place in London on the Christies Fine Arts Course where she specialised in English Furniture. More importantly she was taught to ‘look’ and helped her to develop her photographic eye, which at the time she considered a rare gift. Returning to Cambridge she cut her teeth in the saleroom valuing and selling and it was at this point she was spotted by the Antiques Roadshow and invited to join the programme and went on to be a member of the team for over twenty years. Moves to Philips Auctioneers in London saw the opening of regional offices for them throughout East Anglia and a saleroom in Ipswich. She left to set up her own Fine Art Consultancy looking after families collections, buying and selling art and antiques for private clients and latterly offering a bespoke downsizing service. Concurrently Penny was invited by the BBC to act as art adviser and consultant to a new ‘Antiques’ series which ran for five years spawning a plethora of new series which she worked on as a presenter joining colleagues from the Antiques Roadshow both on television and radio. A move to Tisbury in December 2015 fortuitously coincided with the opening of the Barn.
Messum’s Wiltshire is a pioneering multi-purpose gallery and arts centre celebrating the creative endeavour.