Artist Angela Palmer has sculptures in the permanent collections of The Ashmolean Museum in Oxford, The Smithsonian Air and Space Museum in Washington, The National Portrait Gallery in Scotland, and a major installation, The Ghost Forest, in The National Botanic Garden of Wales. Her work is in private and public collections worldwide. She is an award-winning graduate of The Royal College of Art and was a scholar at The Ruskin School of Drawing and Fine Art at Oxford University.
Mapping is at the core of her work and using MRI, CT and other scanning methods, she has adapted a technique to show objects floating as three-dimensional drawings in glass cubes. These include her brain, an Egyptian child mummy in the Ashmolean Museum and the head of the world’s most famous racehorse Eclipse. She has recreated an area of space using Nasa data for the Kepler mission. Palmer has also created lifesize in glass the most successful Formula 1 engine, the V8 RS27, used by Sebastian Vettel in four consecutive F1 world championships.
Her most recent project is a portrait of the UK, The Geological Spine of Great Britain in which she sourced sixteen rocks from every geological period spanning 3 billion years (with four representing the Precambrian period), tracing in a complete timeline the creation of England, Wales, Scotland and N Ireland from their position near the South Pole to the present day. The final element in the geological spine is a rock-like structure in mirror-polished steel. Intended to reflect man, it symbolises the Anthropocene, the new geological age to be officially declared in the near future.
Palmer’s most ambitious work is The Ghost Forest, an installation of 10 mighty rainforest trees which she brought from a commercially logged virgin forest in Ghana, West Africa to Trafalgar Square in London, followed by Copenhagen during the world Climate Change summit; Oxford’s Museum of Natural History; and the National Botanic Garden of Wales, where they are now on permanent show.
2005 – 07 Royal College of Art, London, MA 2002 – 05 Bachelor of Fine Art, The Ruskin School of Drawing and Fine Art, University of Oxford 1992 – 93 Editor, ELLE magazine UK 1989 – 92 Magazine Editor, The Observer 1986 – 88 News Editor, The Observer 1984 – 86 Editor PHS, The Times 1982 – 84 Columnist, The Daily Telegraph
Royal College of Art Society Thames & Hudson Award Polly Campbell Award, Jerwood Space, London University of Oxford, Scholarship and Fitzgerald Prize Journalist of the Year, Scotland Runner up Catherine Pakenham Award for Women Journalists
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